Jennifer Pozner writes for The New York Times: “Critically panned as a ‘repellant . . . peculiarly reprehensible’ ‘horror story,’ the unexpected hit ‘Here Comes Honey Boo Boo’ is downright tame compared with the hostility the genre has unleashed on women and people of color ever since Fox’s restraining order-tainted ‘Who Wants to Marry a Multi-Millionaire’ in 2000.”